Fragments: Exploring the Intersection of Dreams, Nature, and Perception
In the intricacy of the human experience, the realms of dreams, nature, and perception intertwine, offering fertile ground for exploration and introspection. This collection delves into the liminal spaces where these elements converge, contemplating the mysteries of existence and the interconnectedness of all things.
The conceptual framework draws from diverse disciplines, including psychology, philosophy, and art theory. Inspired by the rich discourse surrounding the nature of dreams and consciousness, I seek to translate theoretical insights into visual narratives.
Sometimes to get around a scientific problem, one must consider possibilities that defy the rules of the game. If you don’t enable your mind to freely create sometimes strange and uncomfortable new ideas, no matter how absurd they seem, no matter how others view your arguments or punish you for making them, you may miss the solution to the problem. Of course, to do this successfully, it is important to have the necessary technical tools to turn the strange idea into a determinate theory.
Stephon Alexander
Central to the exploration is a phenomenological inquiry into the ways in which we perceive and interpret the world around us. By deliberately obscuring or partially revealing elements within the frame, the subject confronts the subjective nature of perception to consider the multiplicity of meanings inherent in visual stimuli.
Within the compositions of “Fragments,” animals emerge as symbolic motifs, imbuing the images with layers of meaning and interpretation. Whether partially obscured or fully revealed, these fauna evoke primal associations and archetypal resonances, prompting viewers to engage with the latent symbolism inherent in the natural world.
Ultimately, this collection urges reflective contemplation and dialogue, a fragmentary glimpse into a larger narrative, inviting nuanced reflections on the mysteries of existence and the interconnectedness of all things.
